our coming new releases for 2024
john anthony franklin
Johnny goes country
HIGH FIDELITY DOWNLOADS, CD'S AND STREAMING
Produced by John Franklin
Assistant Producer: Jamie McGee
Recorder in Bucks Country, Pennsylvania - Spectra Sound Studios
Mix Engineer Jamie McGee & Kent Bubbamoyer
Mastered at THE LOUDGE NYC
The Band
- Vocals: John Anthony Franklin & Lin Franklin
- Acoustic Guitars: John Franklin, Lin Franklin, Jim Meyer
- Electric Guitars: Jim Meyer,
- Piano / Organ: Craig Kastelnik
- Base: Jamie McGee
- Drums: Neil Burton
Throughout his life, John has been told to focus on just one genre.
“Sorry but I can't! There is just too much out there to explore.” he would say.
So LIN & JOHN are releasing a series of John’s almost 50 years of work based on the Genres of his music.
Johnny Goes Country is the first. A collection of 12 songs from 1975 to 2012 written and recorded in the Country genre.
Americana, Country/Rock
Explore Our Original Songs
OUR NEW RELEASES FOR 2023
TWO HEARTS
Released SEPTEMBER 15, 2022 Recorded in Nashville. Produced by Thomm Jutz and Brent Moyer
The Band:
Acoustic & Electric Guitars: Thomm Jutz
Mandolin, Fiddle, Violin: Tammy Rogers
Bass: Mark Fain
Drums: Lynn Williams
Acoustic Guitar: Brent Moyer
Pedal Steel, Lap Steel: Scotty Sanders
A CRITICS REVIEW:
Essay: Joe Coco / Luminarios Music, BMI / The Performance Company
Professor of Art History - Studio - Rock ‘n Rap Courses Montclair State & Centenary University, NJ
Album: TWO HEARTS Lin& John Franklin Ⓟ 2022 Franklin Records FR#025 July 6, 2022
Genre: Americana; 8 Songs - All Selections © 2022 John & Lin Franklin Franklin Music, BMI
The album TWO HEARTS is a testament to Lin & John Franklin’s endurance in marriage and professional music careers. Their songs read like a guide for all those mystified by what it takes to remain together in love and creative passion. Lin’s name precedes John’s, an important clue in understanding how a woman’s perspective in these songs tempers the messages in this collection. This subtle, non-traditional placement underscores the feminine sensibilities that strengthen their resolve as partners. It is a reminder in the 21st Century that machismo often destroys what a man aspires to. Revolving thru many band incarnations, they have evolved in their musical pursuits and family intact. Such resolve illustrates how adversity has tempered their metal, that circumstances must never rule love.
These songs are arranged with an Americana feel that match the strongest values of Northern, Southern, Eastern, and Western cultures of the eastern United States. Geography also places the listener at the center of a second paradigm in the record, identity. Yankee Son, track four, addresses such perfectly. John Franklin’s family settled in Georgia in the early 1700s. John’s father left his Georgia farm to serve in the Philippines, settling in Philadelphia. Where John and Lin were born, John married into the Zapf family, owners of the famous music store in ‘the city of brotherly love. John fulfilled his father's dream to return to the South from Bucks County – PA, unifying not only familial roots. The modern sensibilities of this couple effectively unite musical forms of country and folk with their mature singer-songwriter styles. This subtle metaphor lends a healing message to those whose vow is weak, where so many relationships are casualties in today’s fractious America.
One Step At A Time aptly sets the tone for the album, with Lin’s vocal leading the first song. Throwing herself “body and soul into life and love,” Violin and peddle-steel plaintively evoke the understanding she summons, distilled into two wizened short verses, hitched to a two-line chorus - a guide through the rest of the album. Such surrender surrounds Two Hearts, as first loves and first loss. But this first love dies, and the mettle is tested through mortal loss. I have yet to hear a mandolin portray such grief, matched so well to voice and subject. This is what places Americana perfectly in Franklin’s music, as they and their band are emblematic inhabitants of such authentic sound.
Westbound Train finds our woman protagonist on the road to lay her love to rest in his Wyoming home. This stunning duet leads us right into the middle of the LP, and the archetype of Yankee Son, family: its blood, bond, and complicated binds.
Double Wide Love brings us into an impoverished home, drawing inspiration from those living at the edge of our so-called ‘united prosperity.’ This tune peers into a stark working family’s trailer home. The couple endures as love rules over their circumstances, even as depression takes its toll, leaving the listener wondering what will save them. Carbondale reminds us that dreams may be hard to realize but can be, with commitment as a reminder. The harmonic interlude with bottle-neck and peddle-steel is a beauty. Individuals must never lose their individuality to succeed in a relationship, as Four Days Away implies. Its understated, less-as-more instrumental haunts the outro underscoring the loss of ‘self.’ It reinforces: that love is the journey, for it must supersede life to live it reverently and compassionately. The album concludes with Cattle Trucks ending on a bitter-sweet, poignant, forceful note. It is a bookend to Yankee Son from the point of view of work. The strength of the human spirit is always enlivened by respectful work, with farming as the heart, soul, & belly of all cultures. Yet, it has been undermined by Agro Corporations' greed. The Franklin’s bring together archetypes of farm/work to point the finger at ‘big biz.’ “It’s hard to find America anymore,” our sacred landscape littered with “classic cars in junkyards” and “rusted tractors undermined by high fuel prices.”
TWO HEARTS invites us to ponder the Glory of THE U, S of A as not an entitlement. American legends are not the Marlboro Man or MADison-Ave-AdMen. We are the breathing legends that love ignites to glory, for without glorious actualized persons committed to a relationship, all is hollow. Love cultivates. Lin and John demonstrate such in their lives and music.
Joseph Coco
The Band
Vocals: John Anthony Franklin & Lin Franklin
Backup Vocals: Susan Cowsill, Le Ann Eteridge
Acoustic Guitar Players: John Anthony Franklin, Lin Franklin & Brent Moyer
Electric Guitars: Andy Most, Rick Franklin & Brent Moyer
Bass: Dave Francis
Upright Bass: John Vogt
Piano Organ: Buddy Skipper
Drums: Ron Krasinski
Conga, percussions: Pat Mclnerney
Harmonica: Johnny Sansone & J A Franklin
Fiddle, mandolin: Tammy Rogers
Dobro, fiddle, Mandolin: Wanda Vick
Pedal Steel: Robin Ruddy
TENNESSEE HIGHWAY
Produced by Brent Moyer and John Franklin
Recorder in Nashville at the Parlor Studio on Music Row
Re-Mastered by Alex McCollough at True East Mastering, Nashville/TN
One of the musical highlights of their lives. Recorded at The Parlor in Music Row, Nashville. With a stellar lineup of players.
IN MY SILVERADO
Produced by John Franklin
Assistant Producer: Jamie McGee
Recorder in Nashville, Tennessee & Bucks Country, Pennsylvania - Spectra Sound Studios
Mix Engineer Jamie McGee
Mastered by Alex McCollough at True East Mastering, Nashville/TN
The song "In My Silverado" is Crossing state lines here!
It has country pedal steel and sweet harmonies, making the Nashville feel that blends with the East Coast groove. Lyrics bring you back to the romping days of the 70s, longing to return—a new sound with a history lesson.
Americana, Country/Rock - Lyrics that tell stories, evoke emotion, and use a moral compass to guide the song.
The Band
Vocals: John Anthony Franklin & Lin Franklin
Acoustic Guitars: John Franklin, Lin Franklin, Jim Meyer
Electric Guitars: John Franklin, Jim Meyer, Rick Franklin
Pedal Steel: Scotty Sanders
Piano / Organ: Craig Kastelnik
Bass: Jamie McGee & Pier Giacalone
Drums: Denny Hansen